Ha Pham Anh Thu
Biography
Ha Pham Anh Thu is a Vietnamese singer; her vast forte and extensive experience in different genres, ranging from Opera to Vietnamese Folk music, makes her one of the most established young singers in Vietnam. Emerged gloriously as a winner from hit Vietnamese music show Đồ Rê Mí, Ha Pham Anh Thu has since then graduated from her masters in classical opera at the Ho Chi Minh Conservatory, where she graduated top of her class - an achievement that many younger aspiring musicians often fail to attain. Yet her love for traditional Vietnamese melancholic melodies led her to instead pursue a career in folk music. She has become a singer associated with the Bông Sen National Music and Dance Theatre, actively contributing to the traditional and contemporary Vietnamese music scene. Since then she has been singing in established events organised by the Vietnamese Ministry of Culture, often traveling overseas to promote traditional Vietnamese Performative Arts.
Anh Thu has released multiple music albums, including "Hương từ bi," "Nụ cười thiên thần," and most recently "Đóa lan dâng Phật," showcasing her growth and maturity as an artist. Over the years, she has built a reputation for her soulful and emotive singing style. Alongside her musical career, she is also known for her engaging public appearances and has a notable fanbase thanks to her early start in the industry and continued artistic development. Her journey from a young talent show winner to a respected professional musician reflects her dedication and passion for music, making her an inspiring figure in Vietnamese contemporary music culture.
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Growing up, I was always surrounded by music, and I soon discovered that I had a natural talent for it as well. With the encouragement of my family, I was able to explore this passion, and eventually I enrolled in a music conservatory to pursue my goal of becoming a professional singer.
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Recently, I have taken a liking to a Vietnamese song titled “Viết tiếp câu chuyện hoà bình” (which loosely translates to “Continue to Write the Story of Peace”) by composer Nguyễn Văn Chung.
As a singer, however, I feel that the songs written by the composer group DTAP suit my vocal tone the best. They are well known for weaving traditional Vietnamese melodies into modern pop beats, creating contemporary music with the richness of traditional Vietnamese instruments.
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I would have to say that my proudest performance was in the very first musical show I participated in, Đồ Rê Mí, back in 2008. I was only eight or nine years old at the time, yet I was able to stand on such a grand stage while being broadcast on the main channel of Vietnamese television in front of hundreds of audience members. Thinking back to that moment, I still feel an immense sense of pride.
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I personally really admire the voice of male singer Hà Anh Tuấn, an established artist in Vietnam who has even held concerts in grand venues such as the Sydney Opera House. Perhaps it is because I tend to gravitate toward ballad singers whose music features deep and insightful lyrics. His songs are particularly successful at evoking strong emotions in audiences through their melancholic melodies.
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In the near future, I have an important milestone ahead, which is my graduating performance at the Ho Chi Minh City Conservatory of Music. For this recital, I will be singing classical works in the operatic style, and I hope to use this opportunity to showcase my strengths as a soprano.
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When practicing, I focus closely on my breathing patterns and breath control, just as I have always taught my students. This skill set forms the foundation of all singing techniques. By mastering it, a singer can reach both high and low ranges while sustaining a rich and consistent sound quality.
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Ever since I began my singing career, I have faced a multitude of challenges. Some came in the form of technical difficulties on stage, while others involved navigating the social dynamics of the music industry. I believe both are obstacles we must overcome in order to grow and improve ourselves as performers.
At the same time, I see these challenges as inevitable and, more importantly, as valuable learning experiences for future performances. What matters most is that we face them with confidence and grace, which allows us to find the most effective solutions. After each of my performances, I make it a habit to reflect on what went well and what could be improved. I then set new targets for myself, ensuring that the same mistakes are not repeated.
